Click over Logo to Home Page
Music Industry News Archives to 2005
1 November 2005
Behn Mouthpieces
International
1 October 2005
|
|
LeBlanc Clarinet Line
|
|
|
LeBlanc Total Clarinet Range Lineup
|
|
|
|
|
Unified woodwind branding now serves every
player,
from beginning student
through seasoned artist
Leblanc, Inc. announces
its most significant new offering in decades:
the Leblanc USA line of plastic-bodied
clarinets. This line, comprising clarinet models
from E-flat soprano to contrabass, is made
entirely at Leblanc’s Kenosha manufacturing
facility and offers an abundance of value-added
features that will be of great interest to
students, educators and parents alike.
|
|
While
these new models boast superior quality and
playing characteristics, perhaps the most
notable advantage of the Leblanc USA line is the
name itself—a recognizable, unified brand that
will allow students to play a prestigious
Leblanc model from the first note as a beginner
on Leblanc USA, then advance to the unequaled
heritage of wood-bodied models from Leblanc
France.
In addition, all Leblanc USA
clarinets feature a new seven-year
manufacturer’s warranty against joint cracking
or breaking, now the best warranty of its kind
in the industry.
The Leblanc USA line includes three soprano
models, each with a different bore style. The
L7214 has the standard cylindrical bore, for an
immediately full-bodied, open tone. The L7242
offers a somewhat smaller cylindrical bore for a
more focused, mature tone. The L7250 features a
polycylindrical bore, which is the same
configuration found in Leblanc’s top-line wood
clarinets, giving the young clarinetist a
playing experience approaching that afforded by
artist instruments.
Each of these soprano models
incorporates new standard features suggested to
Leblanc by players and educators. A cushioned,
adjustable thumb rest provides proper hand
position for the youngest players, and side
trill keys have been reengineered for quieter
performance. Repair techs will doubtless prefer
Leblanc’s new pad style, which makes seating
easier and more secure.
Each Leblanc USA soprano is
delivered with a redesigned ligature and plastic
cap, a Leblanc reed guard and a new, more
absorbent all-cotton swab. Leblanc USA sopranos
are also supplied with a newly styled, stackable
molded case, which now includes a padded
shoulder strap for comfortable, hands-free
transport.
Leblanc
USA harmony clarinets feature the same
exceptional quality, playability and value that
band directors and musicians have come to expect
from Leblanc-made instruments. They are covered
by the same seven-year warranty as Leblanc USA
soprano models.
Leblanc’s popular Vito
clarinet line continues to be offered, now as an
exclusive line for school music dealers. The
simplified Vito lineup, also covered under the
new seven-year warranty, comprises four familiar
soprano models: 7212, 7214, 7242 and 7214P. The
7212 has been upgraded with a brushed, wood-like
finish, which is now standard on all Vito and
Leblanc USA clarinets.
All previously branded Vito
harmony clarinets will now be branded Leblanc
USA, bearing the new logo. Harmony models are
otherwise identical to their Vito predecessors,
with the same model numbers now bearing the
prefix “L.”
In coming months, Leblanc
branding of student woodwinds will be expanded
to include saxophones and flutes.
Leblanc USA.
Leblanc France.
Woodwinds for every
player.
Leblanc for life. |
|
|
|
17 September 2005
DVD available CONCERTO FOR MITTENS,
Buffet Crampon clarinet on
the top of Mont Blanc
Thursday, June 30, 2005
Friday, September 17, 2004 at 8 in the morning, Romain
GUYOT, professional clarinettist and Philippe
LECONTE, responsible for public and artistic relations at
Buffet Crampon, take the Mont Blanc tramway. They are escorted by
Alpine guides Gilles BURDIN and Thierry OLIVIER.
They are soon to experience together in an original human and
artistic adventure: to succeed in the bet to give a clarinet concert
on the top of the Mont Blanc, after having climbed it by the “Royal
Route”…
Concerto for mittens follows the group step by step to
the roof of Europe in order to make you feel the emotions of this
adventure.
This event celebrates the 10th anniversary of the GREEN
LINE material, result of blending 95% ebony powder with
carbon fibre in a process patented by Buffet Crampon. Green Line
brings an exceptional resistance to variations of atmospheric
conditions (temperature and humidity).
SPECIAL FEATURES: Complete concert on the top of
Mont Blanc - Photos on Mont Blanc - Bonus photos - The manufacturing
of clarinets (by Lionel Tuchband)
SELLING PRICE: 10 €
Please send a cheque to Buffet Crampon
5 rue Maurice Berteaux 78711 MANTES LA VILLE - France
More informations: Philippe LECONTE
Tél. : +33 (0)1 30 98 51 58 / 06 84 51 52 78 -
philippe.leconte@buffetcrampon.fr
|
2 September 2005
RIDENOUR PERSONALIZED CUSTOM REEDS
Program
The Custom reed
program is offered on a limited basis to clarinetists who want to be insured of
a high level of playable reeds for critical performances.
We believe that you
will find the reeds you receive from us to yield the highest degree of playable
reeds out of each box you have ever had from a commercial source.
Of course, no one
can guarantee a box that yields 10 out of 10 concert quality reeds, but we can
assure you that you will find several concert quality reeds and a very
high percentage of
playable reeds for practicing and rehearsing that will play with ideal
resistance and comfort.
REQUIREMENTS FOR THE PROGRAM
The program
requirements are simple.
1. You must play a
symmetrically faced mouthpiece. We offer no playability guarantees on reeds
played on crooked facing mouthpieces.
2. We need two to
four new reeds from you that meet your standards for playability. Two of the
reeds should represent reeds you would play and find acceptable but
on the lighter
side, the other two should be acceptable reeds you would play on the heavier
side.
These reeds will
enable us to establish a range of acceptable resistance for the reeds we will be
sending you.
They will be kept
on file and gauged against all the reeds we send you to help insure you not only
get playable reeds that are well balanced, but reeds that fall into the
parameters of
your resistance "comfort zone."
COST
FOR THE PROGRAM
Each box of 10
custom reeds, produced uniquely for you will be $31.95, plus shipping and any
applicable tax.
To some this may
seem costly, but think of how much you now pay for a preponderance of reeds that
do not play are are unusable, and how much time you spend working
on reeds instead of
actually practicing music. Once these issues are factored in, we believe you
will find this service to be a big savings, both monetarily and time-wise.
TERMS
OF THE PROGRAM
The program is run on a very limited
basis and reeds must be ordered at least 30 to 45 days ahead of time, so please
plan ahead!
Poor planning on your behalf does not constitute
a crisis on our behalf.
There is no minimum
number of reeds to purchase and you may drop out of the program at any time by
simply contacting us to that effect.
Reeds you find
unworkable for either concert performance or practice may be exchanged up to one
time.
You have five days from date of receipt to
indicate any returned reeds. Simply return the reeds and we will exchange.
We depend upon your good will to not abuse this
aspect of the service. We emphasize
that it is unreasonable to demand 10 top concert quality reeds from each box of
reeds.
We do not guarantee that.
We do guarantee that you will received several
concert quality reeds per box and a playability rate of 80% or better right out
of the box!... without working them.
Reeds that have been worked on may not be
returned. We also do not expect that you necessarily use Ridenour Custom Reeds
as a sole or routine source of reeds,
though if you so desire we will try to oblige
within our means and time parameters.
The service is primarily offered to help insure
that you will have the excellent reeds you must have at critical times. We
recognize that many of you included on the list
are excellent at reed making and reed
finishing. We are including you in the hope that, though you do not personally
need such a custom service, you will know those who need and can benefit from
what we are offering.
If you are interested in participating in this
unique service please contact us by email so we can arrange and set up your
account. If you know of any clarinetists who would
be interested in participating
please feel free to forward this post to them.
I look forward to
hearing from and serving you and/or your students in the near future. We pledge
we will do what we can to raise the level of you and your student's
performances by
providing you will the high quality, consistent products you both need your
artistry deserves.
31 July 2005
Ted Lane in performance
of Copland Clarinet Concerto with the American Sinfonietta-Michael
Palmer Conducting |
|
Ted Lane
Clarinet Mouthpiece
Thursday, June 23, 2005
BUFFET CRAMPON, one of the finest manufacturers of musical
instruments, regains its independence with ARGOS SODITIC
Buffet Crampon, world leader in the clarinet market,
is delighted to announce that the Company, created in 1825 in Paris,
has regained its independence through an MBO of the company Buffet
Crampon by its Managing Director, Paul Baronnat,
accompanied by Argos Soditic’s funds. For several
decades, Buffet Crampon has been controlled by British groups.
Each year, Buffet Crampon manufactures 63.000 student and
professional wind instruments (clarinets, bass clarinets, oboes,
bassoons, saxophones) under its own label. The 22.000 professional
instruments are manufactured at its historic site in Mantes la Ville
(240 employees).
Following this takeover, Buffet Crampon is now at the head of
two distribution networks, in the United States (Los
Angeles) and in Japan (Tokyo), and has a consolidated
turnover of 47 million euros, mostly from export.
The brand’s reputation is worldwide, with nearly 80% of
market share in the universe of professional clarinets. In
addition to distributing its own products, Buffet Crampon makes use
of its worldwide network to distribute other brands of wind
instruments.
Paul Baronnat, 59 years old, Managing Director
of the Company which initiated this transaction, becomes
President of BUFFET CRAMPON SAS and its American and
Japanese branches. Strongly attached to the corporate culture of the
Company, Paul Baronnat looks forward to the future with confidence
backed up by the timelessness of the Company’s values, its go-ahead
desire to occupy new commercial territories and its capacity to
innovate. With its newly regained independence, the Company will be
able to redevelop its range of products, and benefit from the
control it now has of its worldwide distribution network.
ARGOS SODITIC is an independent private equity
partnership active for more than 15 years in MBOs in Continental
Europe. ARGOS SODITIC specialises in accompanying medium sized MBOs
by strong management teams, generally in complex situations.
With this fresh impetus, Buffet Crampon wished more than ever to
restate its corporate values : respect for and
attention to musicians’ requirements, the tradition and the spirit
of the Company, the quality of a unique savoir-faire in upper range
instruments, the dynamic of a world-wide distribution network, a
strong taste for innovation and the awakening of new tones, a
permanent engagement in the development of instrumental practice.
Buffet Crampon’s renewed state of independence reinforces the
influence of a brand which this year celebrates 180 years of
existence.
About Argos Soditic: Founded in 1989, Argos
Soditic is an independent private equity partnership with offices in
Paris, Milan and Geneva, active in medium-sized MBOs/MBIs in
Continental Europe. With aggregate committed capital of €250
million, Argos Soditic has structured nearly 40 transactions since
its creation and employs over 20 professionals across Europe. The
group’s portfolio includes companies such as Du Pareil Au Même,
Kermel ou Oxbow in France, Sparco in Italy, and Maillefer in
Switzerland. For more information about us, please visit our website
at argos-soditic.com
CONTACTS
Buffet Crampon - Marketing Manager: Sylvie
IRVOAS
Tel: +33 1 30 98 51 31 - Mobile: + 33 6 32 65 67 29
Argos Soditic - Louis GODRON, Cédric BRUIX,
Louis DE LESTANVILLE
Tel: +33 1 53 67 20 50
Actus - Press Relations: Amjed ACHOUR
Tel: +33 1 53 67 36 57
|
|
|
Wolfgang Weth with period klarinette by Wurlitzer
|
|
|
Klarinette in case
|
|
|
Specific details on klarinette
|
|
|
Tuning barrel arrangement on klarinette
|
|
|
Klarinette upper joint and barrel
|
|
|
9 May 2005
HERBERT WURLITZER KLARINETTEN
Wolfgang Weth, retired since 2004 from the “Badische Staatskapelle”
now making chamber music and jazz. “Opera Swing Quartet, and a Duo (clarinet
and guitar) called “Only Two” with Martin Müller.
He played on this box tree C-clarinet in Rothenburg o.d. T. on the 6.5.2005 with
the “Hans Sachser Ensemble” in the Townhalle.
This period
instrument is made to precise specification by Herbert Wurlitzer is a replica of
klarinetten of that period and produced with the same standard of manufacture
(hand made) as the standard Wurlitzer models including materials and
craftsmanship. Only limitation is the ‘period’ characteristics inherent at that
time. These klarinetten are produced on special order only and are not included
in the normal catalog.
|
|
Bernd Wurlitzer and fellow artist Josef Balogh and friends
|
|
|
US Marine Band soloist SSG Chang with Wurlitzer Eb Klarinette examination
|
|
|
Mike Getzin trying new Basset A Klarinette with Wurlitzer
|
|
|
Bernd Wurlitzer and Mike Getzin
|
|
|
Bassett A Klarinette tryout
|
|
|
25 July 2004 - from ClarinetFest
University of Maryland
HERBERT WURLITZER KLARINETTEN -
Traditions and Futures
One of the best kept secrets at Conventions like this is the modest and quiet
displays of these clarinets from Neustadt a.d. Aisch Germany produced by this
Stradavarius-class Klarinette maker. This family firm owned by Herbert
Wurlitzer and passed generation to generation has produced the finest
instruments used all over Europe, especially Germany, and in use in all the
German Orchestras and the Netherlands. Wurlitzer produces Artist-class
instruments in both Oehler (German System) and Reform Boehm, and delivery is
usually 1-2 years. Although the price of these instruments are very
expensive and almost non-negotiable (klarinettes are not sold through
distribution and dealers), the life of these horns is over 3 times the life of a
production instrument. Karl Leister has played his set since he bought his
in 1978, and has other sets to play overseas to play the pitch needed to perform
(A-440 - A-446). The Reform Boehm models are in fact the state of the
Boehm Clarinet with the German bore-tonal characteristics and able to project
better than any other clarinet on the market. Intonation is literally perfect
even in the high register ranges over G, and barrels are available to play on a
French mouthpiece without complications. The mechanics of these clarinets
are second to none with a quick light action that is even throughout the
instrument. With new clarinets becoming available in the French market,
these Reform Boehms have been current and ahead for over 50 years. At the
ClarinetFest 04, I acquired a Reform Boehm Bassett A Klarinette and all that was
needed was the upper joint to my Wurlitzer A Klarinette. Having bought a
set in 1987 from Herbert Wurlitzer and having him personally evaluate the set
bought then, the Bassett A lower joint still tonally and pitch matched with no
complications whatever. It is very important for the
Clarinet world to check and inquire about this Reform Boehm revolution,
especially professionally bound players. For more information,
contact Wurlitzer direct.
25 July 2004 - from the ClarinetFest Maryland Exhibit
|
|
Xilema display at ClarinetFest Maryland
|
|
|
Xilema Official Poster
|
|
|
Redwine/Xilema Gennusa Mouthpieces
|
|
|
Redwine Reed-Mouthpiece display
|
|
|
Canyes Xilema clarinet reeds - Spain
Canyes
Xilema clarinet reeds made its debut at the International Clarinet Convention in
Washington, D.C. on July 22, 2004. Jose Herrera, principal clarinetist of the
Valencia, Spain Orchestra and designer of the reeds, and his sister Inma
Herrera, maker of the reeds, joined Ben and Leslie Redwine, owners of
RedwineJazz and makers of the Gennusa “Excellente” clarinet mouthpieces, at
their booth to introduce them publicly for the first time.
Jose Herrera, well
known in Spain for his handcrafted reeds, spent one year designing and refining
the reeds. He and Inma then had their machines digitally copy his design to
produce high quality reeds. They select cane from the Mediterranean coast and
use strict quality standards selecting only the best cane in the lots and
discarding any substandard cane. After the reeds are machined, the quality
control staff (five professional clarinetists) selects only the best reeds for
packaging. Canyes Xilema is proud of the uniformity in their production, which
is confirmed by customer feedback indicating 8 – 10 reeds per box consistently
perform beautifully. One valued customer has said, “They are very responsive
and I feel I can get more presence in the sound than in the reeds I used to
use.” The reeds are available in three different cuts. The Viena cut is for
the Viennese style mouthpieces. The Professional and Artesana are designed with
a thicker heart and vamp, which produces a rich, dark sound. The Artesana are
then hand finished by Inma, so the pores of the cane close and the reeds have a
longer life. The Classic reeds are designed with a thinner tip giving easy
response and great flexibility in playing.
"I have been using the Xilema
Classic model reed for some time and feel that it is a responsive, rich-sounding
reed with excellent stability and longevity. I recommend this reed to all
players who are searching for perfection."
Larry Guy
Author, "Selection, Care and Adjustment of Single Reeds"
Faculty, Juilliard School, Manhattan School of Music, Mannes College of Music
Free-lance performer, New York City
Find out more about
Canyes Xilema by visiting their website
www.xilema.net Customers in the United States may purchase the reeds
from RedwineJazz, LLC; contact information can be found at
www.redwinejazz.com.
25 July 2004 - from the ClarinetFest Maryland Exhibit
|
|
|
|
|
|
|
|
|
NEW PRODUCTS
2004
|
|
The Valgon Rings™
Valgon Sound launches
revolutionary product for woodwinds
TORONTO, Feb. 23/04.
Valgon Sound Inc. today launched the Valgon Rings™, a revolutionary
discovery that focuses and projects the tone of woodwinds, significantly
improving the instruments' response.
"By simply adding the
Valgon neck and bell ring, players will immediately notice an improvement in
all aspects of their playing with considerably less effort," said Valgon
co-inventor Harold Gomez, a clarinetist, teacher and inventor of musical
products.
The Valgon Rings™ attach
quickly and easily to improve the sound of both student and professional
quality instruments. The rings retail for less than the cost of most
mouthpieces.
The Valgon Rings™ have
been described as the most innovative discovery for woodwinds since Theobald
Boehm devised a new fingering system for woodwinds in 1832. Soloists love
how the rings improve their virtuosity, doublers enjoy how each instrument
responds right away.
"They help me access a
beautiful clarinet and flute tone quickly, making fast switches from one
horn to another more fluid," said Colleen Allen, saxophone/woodwind player
with renowned jazz singer Molly Johnson. "I find I am able to focus my sound
and increase my dynamic range more readily while using the Valgon Rings."
Mr. Gomez developed the
rings with one of his students, Konstantin Valtchev, a doctor who holds a
number of patents on medical instruments. Dr. Valtchev noticed an
improvement in sound after he had added a ring to his mouthpiece in order to
quickly remove his mouthpiece without disrupting the ligature. Mr. Gomez
discovered that adding a second ring at the bell made an even greater
improvement, and that the rings would also improve other wind instruments.
After an additional five years of research and development, they founded
Valgon Sound Inc.
"We discovered that the
rings control and stabilize the oscillating air column on the outside of the
instrument, resulting in reduced turbulence inside the bore," said Mr.
Gomez. "Thus, the player doesn't have to work as hard to make a good tone,
and note transitions are easier at all dynamic levels."
Performers have been
using the Valgon flute and clarinet rings in large concert halls and in the
recording studio. "I find that the rings project sound to the audience much
better," said Ms. Allen, adding, "I don't go anywhere without them!"
The rings are currently
available for Bb clarinet, Eb clarinet, flute and piccolo. They will soon be
available for alto, bass and contrabass clarinets, alto and bass flutes and
alto and tenor saxophone.
The Valgon Rings are
distributed by D'Addario Canada and will also be available at conferences,
including the International Clarinet Association Conference in Baltimore,
MD, and the National Flute Association Conference in
Nashville,
TN.
For wholesale or retail
information, and for a complete list of retail stores, contact
www.daddariocanada.com.
For further information:
Mr. Harold Gomez, president,
Valgon Sound Inc.
416-923-5113
harold.gomez@sympatico.ca
Available For:
Bb Clarinet, Eb Clarinet, Flute, and Piccolo.
Soon To Be Available For:
Alto, Bass, and Contrabass Clarinet, Alto and Bass Flute, Alto and Tenor
Saxophone.
|
|
|
|
|
|
|
|
|
|
|
|
|
Selmer and Henri Bok
|
|
|
Ricardo Morales and Jean-Francoise Bescond
|
|
|
Selmer 100th Anniversary St Louis Limited Edition Clarinets
|
|
|
Selmer Exhibit
|
|
|
Selmer, Morales, and Bescond
|
|
|
25 July 2004 - from the ClarinetFest Maryland Exhibit
Conn-Selmer Offers Limited Edition
Anniversary Selmer (Paris) Clarinet
Commemorating
100th anniversary
Instrument commemorates 100 years since Selmer Paris won the gold medal at
the St. Louis World's Fair.
In 1904, the World's Fair in St. Louis, Missouri celebrated the centennial
anniversary of the Louisiana Purchase. One of the most successful world's fairs
of that era – over 1,200 acres – exhibited the best in creative and
technological advances from 60 nations. The Palace of the Liberal Arts dedicated
an entire wing to musical instruments, including the very first Selmer Paris
clarinets. Alexandre Selmer, then a member of the Philadelphia Orchestra,
demonstrated the performance advantages of the Selmer Paris instrument created
by his brother Henri and a few companions. Authorities were so impressed that
they awarded the Selmer brothers the gold medal.
In commemoration of this event,
Selmer Paris has created the new St. Louis Anniversary Clarinet. Available in Bb
and A, this instrument is designed for professionals, as well as for advancing
students and hobbyists.
|
|
A
special commemorative gold-plated St. Louis logo plate is featured on the
upper joint of the SL models. Special silver and gold plated joint rings
exquisitely finish the instrument. |
|
|
The instruments have been warmly
received, with professionals highlighting the qualities of tone, pitch and
playing flexibility of the St. Louis model. Technical features include
grenadilla wood, aged over three years before turning and oil treatment,
multiple barrels for personal tuning adjustments, .571” bore (.573” for A),
left-hand Eb/Ab lever, silver plated keys, metal tenon sockets, and adjustable
thumb rest. Leather pads are used throughout, with resonator pads on the three
lowest notes (E, F, F#).
A special commemorative
gold-plated St. Louis logo plate is featured on the upper joint. Special silver
and gold plated joint rings exquisitely finish the instrument.
Selmer Paris has also gone so far as to recreate the original barrel-shaped C85
Selmer Paris mouthpiece in a special edition with a unique St. Louis-style
ligature. A special designer anniversary case by premier luggage maker, Lancel,
completes this spectacular instrument.
Conn-Selmer, Inc. is the
exclusive distributor of Selmer Paris instruments and mouthpieces in North
America. Selmer Paris products are available through all Conn-Selmer dealers.
Published:
July 22, 2004
Milwaukee, Wisconsin -
American City Business Journals
Inc.
Steinway to buy G. Leblanc for $36 million
Steinway Musical Instruments Inc. said Thursday that it has agreed to
buy G. Leblanc Corp., a musical instrument manufacturer in Kenosha, for
about $36 million.
Leblanc is a manufacturer of high quality band instruments and sells
products under the Leblanc, Noblet, Vito, Holton, Martin and Yanagisawa
brand names. Leblanc expects to generate revenue of $28 million for
2004.
In a statement, Leblanc chairman and chief executive officer Leon
Pascucci said G. Leblanc will maintain operations in Kenosha.
"The business has been in my family for nearly 60 years, so my primary
concern was to ensure its continuation," he said. "I'm thrilled that
Leblanc will become part of a company with the reputation of Steinway
Musical Instruments."
The announcement comes just weeks after the company said it will close
one of its two plants in Kenosha later this summer, resulting in the
loss of 67 jobs. Leblanc plans to halt production at 9009 Sheridan Road
by Aug. 27, according to a notice filed with the state Department of
Workforce Development.
Leblanc operates a second plant at its headquarters in Kenosha, 7001
Leblanc Blvd., where it has about 160 employees. The company also has a
factory in Elkhorn with about 75 employees. About 40 employees work at
Leblanc's other remaining plant, located in La Couture-Boussey, France.
Waltham, Mass.-based Steinway, famous for its pianos, is one of the
world's largest manufacturers of musical instruments. Its notable
products include Steinway & Sons pianos, Bach Stradivarius trumpets,
Selmer Paris saxophones, C.G. Conn French horns, King trombones, and
Ludwig snare drums. Leblanc will be operated as part of Steinway's
Conn-Selmer band instrument division.
The transaction, which is subject to customary closing conditions and
purchase price adjustments, is expected to close in the third quarter.
Copyright(c) All rights reserved.
20 June 2004
FORTE CLARINETS USA
Dr. Omar Henderson –
Co-inventor of Forte’
Forte’ booth at Oklahoma
Clarinet Symposium , June 04’
Come see the exciting
features at:
www.forteclarinet.com
Exclusive Features=
You will be way ahead of the
pack with Forte' advantages only available on artist quality clarinets costing
thousands of dollars and lack the durability needed for the rigors of student
life. Forte' has been endowed with features that exist on no other clarinet,
professional or otherwise.
=Forte' is strong and
plays well=
Student level clarinets have
not changed much in a quarter century. They are always the last to receive
innovations. Forte' gives you these advantages now! Forte' is designed to
withstand the rigors of young and progressing players with distinctive
strengthening in areas most prone to require expensive and lengthy repair.
Forte' is fun to play and the design process has enhanced the acoustic qualities
giving it superb tone, accurate spacing of notes (intonation), and quick and
effortless response in all the registers. It is as much at home on the marching
field as it is on the concert stage.
=Forte' is well made and
tested
Forte’ is technologically
advanced and built on the collective suggestions from noted experts. Innovations
have been thoroughly engineered, prototype tested by a panel of experts, and
further tweaked to optimum performance. The instrument is strong and built of
the best available materials and workmanship by a world renowned old line
company that was selected after great research by the design team. Each clarinet
received is play-tested and adjustments made to assure optimum, worry free
performance when it reaches you the customer.
=Great accessories=
Most other clarinets come
equipped with less than satisfactory mouthpieces, ligatures, swabs and other
accessories. Purchasing the necessary quality mouthpiece, ligature, and other
accessories later can easily cost 1/4 the total price of the clarinet. The
quality mouthpiece, ligature and swab supplied with the Forte' translate as an
exceptional added value.
=Quality parts
availability and warranty service=
We have instituted a
revolutionary "First" in the industry computerized parts distribution network to
get parts to repair technicians with 72 hours of order at our toll free number
should a Forte' need repair. We also give a comprehensive "Mouthpiece to Bell
Ring" one year factory warranty on materials and workmanship on the Forte'.
=Power Barrel
As an option, a power barrel
is available. It was inspired by marching band, and the need for a LOUD
clarinet. This barrel is quite possibly the world’s most complex, scientific
clarinet accessory available. The Power Barrel is a breakthrough in acoustical
engineering which emphasizes the even harmonic frequencies of notes. It allows
the marching band, or jazz band clarinetist to play loud and full, it is almost
like having a portable amplifier when you march!
All of these features
make Forte' and exceptional value with industry leading technology.
. Step up with Forte' - The Clarinet
Evolved
Exceptional value and price!
Unsurpassed durability, quality and innovation
Top of the line accessories
The Forte'™ clarinet
is the first truly revolutionary and affordable student clarinet to be
introduced to the market in more than a quarter century. It is an instrument
designed with the student in mind, and built to facilitate rapid growth in
all areas of technique. Its intonation and tone quality are suitable for
very mature ensembles. Forte' is a true revelation in clarinet design.
Some outstanding features of the Forte'™ clarinet are:
hand finished ABS resin body, nickel plated nickel-silver
and bronze alloy keys, French blued-steel springs, Italian white kid leather
waterproof pads, undercut tone holes, .575" polycylindrical bore, pin style
nylon lever joint connectors, adjustable thumb rest and all natural tenon
and key corks.
Some of the revolutionary features found on the Forte'™
clarinet are: |
Feature |
Advantage |
"No-Jam©" Bridge Key
|
A common problem on all
clarinets is the bridge key. When assembling the instrument, it is easy to
"jam" this mechanism, causing mechanical problems, or even failure. Our
exclusive, and innovative "No-Jam©"
Bridge Key completely removes
this problem. It allows for less maintenance, and a more reliable mechanism.
This eliminates the need to depress any rings during assembly. This system
is completely worry free. |
Sculpted ergonomic register and throat "A"
key spatulas
|
Ergonomic improvements
are not new to the industry, but the combination of these two keys, and
their ease and comfort were designed to more easily facilitate complicated
passages for smaller hands, and foster correct left hand position and
curvature. |
Fortified Key Supports
|
Another common cause of
mechanical problems that come from the assembly and maintenance of a student
clarinet, is the bending of the low "E" rod, and bending of the side trill
keys. We have designed custom bracings for these critical areas that will
prevent the keys from shifting. Thus, problematic leaks can be avoided, and
maintenance time and costs reduced. |
|
|
Custom Moennig Inspired Barrel
|
Many professional
musicians spend great amounts of money on custom barrels to improve the tone
quality, intonation and response of their instrument. Our free-blowing
custom designed barrel is based on the world famous Moennig barrel bore. It
provides a rich mature tone quality, excellent intonation and a
responsiveness that aids in the development of air support for the student
musician |
Resonance Bell Vent
|
This feature was
borrowed from the German persuasion of clarinet design. Such a feature has
never been seen on a Boehm System student clarinet. It adds new clarity and
depth to the sound in the lower registers, and improves intonation as well.
|
Gennusa
Mouthpiece
|
This may quite possibly
be the most important part of the clarinet set-up. This is a professional
quality mouthpiece made from a durable kid friendly acrylic resin, and
designed for the Forte' clarinet. It has a medium tip opening, and
encourages and supports the growth of a mature embouchure. |
|
|
|
|
Ben Armato with his PerfectaReed device
|
|
|
PerfectaReed measuring device
|
|
|
Product demonstration
|
|
|
Armato showing PerfectaReed to client
|
|
|
9 June 2004
Ben Armato’s
Reed Wizard and PerfectaReed
updated Products
The above Metropolitan Opera
Clarinetist, teacher, and inventor of these portable incredible Reed measuring
and adjusting devices are probably the state of the industry. As described in
the website, the beauty and ease of use of these tools make them a must for all
serious players, as they will cut out lost productive time due to overkill in
trying to make reeds work. The PerfectaReed is a acutely accurate measuring
tool to find all irregularities in any set of reeds, including the unplayables,
and makes possible finding the cures to make them work. The Reed Wizard is a
wonder in that a duplicate can be made of model reeds, thus saving time and
enjoying consistent results. Special word should note that Mr Armato,
being an artist clarinetist with a high level of Orchestra and teaching
credential, knows how to make a player ‘tune in’ on his message about tonal
fundamentals, and anyone who has worked with him knows his critical ear
regarding getting the best from a player for his benefit. These products
are essentials that all players should have at their disposal to make more time
for music-making than wasted time being consumed by reed stress.
|
|
Tom Ridenour with new Model Clarinet
|
|
|
Ridenour Clarinet display
|
|
|
ATG Reed fixing Package
|
|
|
8 June 2004
New
Ridenour TR147
Clarinets Introduced
Tom Ridenour, known for many
years as a Clarinet / mouthpiece craftsman and now the technical developer of
this new model line of Clarinets, pitched in Bb, A, C, G, low Eb Bass and low C
Bass. Information about models on the above website.
Offers these clarinets in Five Customizing
Options :
Option I:
The Basic Pro Clarinet
These clarinets are specially selected from
Brook Mays large stock. They are then gone over in detail, both mechanically
and acoustically to make sure that they are in optimum playing condition and
adjustment for testing. Skin pads are all treated with Tom's special pad
treatment for improved seal, water proofing and increased durability.
Option II:
The Basic Pro-Plus
* Five cork pads in the upper joint in water
prone tone holes
* All skin pads coated with our special pad
treatment which water proofs, improves seal and increases pad life.
* Complete adjustment, quietening and
balancing of mechanism and pad heights
* All tone hole imperfections corrected
* Thumb and register tube sealed with special
sealant to eliminate possible leakage
Option III:
Artist Customizing
* Balancing of color and resistance in tone
holes
* All tone hole imperfections corrected
* Handmade cork pads in upper joint
* Thumb and register tube sealed with special
sealant to eliminate possible leakage
* Complete adjustment, quietening and
balancing of mechanism and pad heights
* Review of all dimensions of clarinet after
break in period. (This is best done between six months to a year after the
clarinet has been purchased.)
Option IV:
Ultra Artist Customizing
* Balancing of color and resistance in tone
holes
* All tone hole imperfections corrected
* Handmade cork pads in upper joint
* Special padding in lower joint for
durability and perfect seal
* Special teflon and nylon sliders that make
the mechanism extra smooth
* Specially silencing process for a remarkably
quiet, smooth mechanism
* Special acoustical upgrading to increase
depth, flexibility, darkness and maturity of tone.
* Review of all dimensions of clarinet after
break in period. (This is best done between six months to a year after the
clarinet has been purchased.)
* Two years mechanical and acoustical care of
clarinet beyond manufacturer's warrantee.
Option V:
The Total Clarinet!
These clarinets are specially selected by
instrument designer, acoustician and clarinetist Tom Ridenour because
of their outstanding qualities in tone, tuning and response. These clarinets
then receive a Customizing Level IV, plus hand tuning and
fitting the instrument with a Ridenour Artist Model Mouthpiece
that is optimum for that clarinet
Tom Ridenour ATG Reed
Finishing Products
LEARN
THE ATG FINISHING TECHNIQUES DIRECTLY FROM ITS CREATOR THROUGH A FIFTY- MINUTE
DVD THAT WILL ENABLE YOU TO GET EVEN BETTER RESULTS WITH THE AMAZING ATG
UNIVERSAL REED FINISHING SYSTEM!
SEE
ALL THE TESTING AND FINISHING TECHNIQUES THAT WILL MAKE REED PROBLEMS A THING OF
THE PAST PERFORMED IN REAL TIME!
In his definitive new
text on reed finishing Tom Ridenour reveals for the first time the fundamental
and common error of all past approaches to reed finishing, why it is wrong, and
why finishing systems based upon it can't really work as they should. Tom also
reveals his astoundingly simple solution: an amazingly effective, yet easy to
learn method of reed finishing that will have you perfectly balancing reed after
reed, even in your very first attempts! The system is so easy to learn and
master you'll soon be able to even balance reeds blindfolded!
Tom's method is the link between forming and finishing the reed that has been
missing up to now. With it, reed finishing is no longer the exclusive domaine of
a select few who have the aptitude, time, patience and reason to master what, up
to now, has always been a difficult and complex art. The amazing ATG method of
reed finishing brings the power of finishing great reeds easily within the grasp
of players of all skill levels and budgets, because it costs only a small
fraction of other expensive reed finishing tools and machines. Yet, it is more
effective, more versatile and amazingly easier to master. It is also portable:
only one set of tools finishes all single reeds, natural or synthetic, from the
baritone saxophone to the Eb clarinet!
If are like most reed players you have lots of old reeds lying around that are
unplayable. If so, get ready to use virtually everyone of them! Get ready for
some of them to become the very best reeds you've ever had!
Use Tom's new finishing method on them and watch the system pay for itself many
times over in just the first few days of receiving it! You may not even have to
buy new reeds for a year or more!
Here's What
Some of the Satisfied Users of
Tom Ridenour’s Amazing New Method Have to Say!
"EVERY CLARINETIST AND
SAXOPHONIST OUGHT TO OWN AND USE IT. I'M RECOMMENDING IT TO ALL MY STUDENTS"
"Tom's new method for finishing reeds is
fantastic. Every clarinetist and saxophonist ought to own and use it. Besides it
being effective and easy to use, it's a real bargain. The system will pay for
itself the first week of use. I'm recommending it to all my students!".
Eddie Daniels
World Renowned Jazz and Classical Clarinetist
REED SYSTEM "MARVEL OF SIMPLICITY AND
INTUITIVE
UNDERSTANDING"
"Tom Ridenour's Universal ATG Single-Reed
Finishing System is a marvel of
simplicity and intuitive understanding. The approach to diagnosing and
fixing reed imbalances is presented in a logical series of steps that
demystify the whole reed adjustment process. All single reed players, at
any level of expertise, will be amazed by the improvements in tone and
response they can achieve through the ATG System."
Howard Klug
Professor of Clarinet, Chair, Woodwind Department
School of Music, Indiana University,
"I HAVE THREE RECITALS THIS WEEK...I
NEEDED REEDS AND NOW I HAVE THEM."
..... I finally had some time this weekend to work on the system
and really watch the video carefully. It is just tremendous!!! I have three
recitals this week... I needed reeds and now I have them. I will be sure to tell
everyone to buy this system. I am so impressed. Everyone must have the book and
video. Also congrats on the fine presentation. It is so clear and concise and
straight ahead
Dr. Caroline Hartig
Associate Professor of Clarinet, Woodwind Area Chair, Ball State
University
President, National Association of College Wind & Percussion Instructors
.
"MY MIND STILL DOES NOT WANT TO ACCEPT THE
REALITY....I STILL HAVE THE FEAR I AM GOING TO WAKE UP AND FIND THAT IT WAS JUST
A DREAM..."
As far as the reed system goes I am truly
speechless. My mind still does not want to accept the reality. How could we all
suffer for so many years unable to break the ancient mysterious code of reed
finishing only to be liberated something so simple. Its just not right. I just
finished teaching private lessons and was able to confidently balance every reed
that a student threw at me. Anyway, "thanks" does not seem sufficient. I feel
the excitement about my clarinet that I had when I was a little kid. Can't
remember the last time I felt that. I still have the fear that I am going to
wake up to find that it was just a dream. Until then...
Sincerely,
David Malek, Clarinetist,
Band of the West, USAF,
Lackland AFB, San Antonio,
Victoria Symphony Orchestra, Victoria, Texas
"....IT IS INCREDIBLE....IT MAKES
PLAYING FUN AGAIN"
Tom,
I wanted to let you know I received your ATG reed surfacing system a
couple of weeks ago and it is incredible. Every reed I have adjusted
plays beautifully. It makes playing fun again. I would love for my students to
be able to purchase this system also.
Thanks again. P.S. You should sell millions of these. It is fantastic.
Sincerely,
Richard Glaze
Chair Department of Music (Clarinet professor)
University of West Florida
Principal clarinet - Pensacola Symphony Orchestra
"I'VE ENJOYED PLAYING CLARINET MORE IN THE
LAST 2 OR 3 WEEKS USING YOUR REED FINISHING SYSTEM...THAN ALL THE OTHER YEARS."
Dear Tom,
I've played clarinet and sax for 41 years, including 4 years with the Marine
Band in Washington, DC. I've enjoyed playing clarinet more in the last 2 or 3
weeks using your
Single Reed Finishing System to work my reeds than I have in all the other
years I've played. Every reed I finished played great with very little time
or effort! This is truly a case of it IS too good and it IS true.
Thanks,
Burt Ross
"THIS IS GOING TO COMPLETELY CHANGE THE
WHOLE WORLD OF SINGLE REED PLAYERS....THIS IS TRULY A MIRACLE!"
Dear Tom,
I just spent this morning fixing reed after reed for my clarinet students,
who feel completely awed by your method, and they want to order it
too! This is going to completely change the whole world of single reed
players! You need to prepare for an onslaught of orders!
Congratulations again! This is truly a miracle!
Courtney Mlinar Clarinetist
freelancer Dallas-Fort Worth, Clarinet Instructor, Birdville ISD,
Castleberry ISD, Nolan Catholic HS, Formerly assistant principal
clarinet, Corpus Christi Symphony Orchestra for 12 yrs.
"THE ATG SYSTEM HELPED ME ACHIEVE
A LEVEL I DIDN'T KNOW EXISTED."
...until I used the ATG system I don't
think that I ever really experienced a balanced reed except maybe by accident.
I'm talking about a reed that responds beautifully with no embouchure bite. I
have worked hard to get rid of embouchure bite, including a commitment to
double-lip embouchure, but until now, subtle imbalance in my reeds has
prevented me from achieving anywhere near perfection even if my "balancing
act" greatly improved the reed's response.
It is amazing to me how easy it is to accept less than perfection while
convincing yourself you're there. The ATG system helped me achieve a level I
didn't know existed.
Robert Chest
Instructor of Woodwinds
Bob Jones University
Greenville, SC
"IT WORKS EVERY TIME-ON BOTH CANE AND
SYNTHETIC REEDS."
This is the most helpful reedworking
system I have ever used. The method is so easy to learn and apply a young
student can use it successfully, yet it meets the professional's most demanding
and exacting standards. Most importantly, it works every time - on both cane
and synthetic reeds.
Daryl Coad
Clarinet Instructor, University of
North Texas
Frmly, New Orleans Symphony Orchestra
"..FRANKLY IT SURPASSED MY WILDEST
EXPECTATIONS...I MUST SAY I WAS AMAZED...."
Tom,
I tried the method last night just 15 minutes before the Opera started and
demonstrated it to my 2nd clarinet - I chose 3 really stuffy reeds and frankly
it surpassed my wildest expectations - all three were playing before the
conductor brought the baton down - in fact to prove the point I played the
entire Opera on one of the reeds.
I showed the method to a guest clarinet player tonight and fixed two reeds for
him. He played on one of them and sounded great. I must say I was amazed too
because all it took to adjust that particular reed was precisely 3 movements of
the abrasive!
Leslie Craven,
Principal Clarinetist, Orchestra of Welsh National Opera,
"...WITH THIS APPROACH ONE IS VIRTUALLY
GUARANTEED A GREAT MANY USEABLE REEDS...."
"The ingenuity and simplicity of the ATG system makes it a "must have"
for all single reed players. With this approach one is virtually guaranteed a
great many useable reeds for practice and performance. Thanks, Tom, for
clarifying the mysteries of reed adjustment, and for making the system so
accessible and practical.
Geoff Nudell
Los Angeles Studio Musician, Professor of Clarinet and Saxophone,
California State University, Northridge
11 May 2004
Henri Selmer
France has recently released a new set of Clarinet models which should be of
interest to clarinetists. In past years Selmer has produced great models such as
the 10 (Gigliotti), the 10S, the Recital, the Signature, and the Standard.
All of these Clarinets are in professional use today, and each has
characteristics geared to the requirements of the performer, whether player
jazz, solo recital or concerto, chamber music, or Orchestral. Many firms
have made improvement modifications using new technology along with their
quality handmade standards which make their instruments well respected and
played worldwide by a large venue of players. Below is information about
the new clarinets being featured by this fine firm.
ARTYS Clarinets
|
Today, the
Selmer Paris clarinet range is an artistically open offer. In the very heart
of this variety, "Artys", expression of the Selmer maturity and modernity,
sets the tone. The Bb and A "Artys" clarinets assert themselves as high
quality, all-purpose instruments, covering a wide range of playing options.
The profound personality of this model is built up from an amazing
playability and a deep, resonant tone. The overall sound and tuning
qualities are particularly homogeneous through all the registers and shades
; a great flexibility and a remarkable control complete the global acoustic
performances. |
ODYSSEE Clarinets
"Odyssée"
constitutes the first link to the Selmer Paris professionnal clarinet range.
Designed to open on mutiple musical aspects, "Odyssée" is a wholly
accessible instrument. Respecting the Selmer Paris traditional hallmark, the
"Odyssée" Bb and A clarinets are highly multivalent instruments, based on a
balanced blend of brightness and roundness. Together with the tuning
stability and the flexibility, the homogeneity of the tone colour turns the
"Odyssée" into a very reliable instrument.
|
|
|
|
Larry Combs checking Bassettklarinette with Bernd Wurlitzer
|
|
|
Bassettklarinette lower joint in case
|
|
|
Lower joint front view
|
|
|
Lower joint back mechanism
|
|
|
Wurltzer holding Bassettklarinette with Mike Getzin and Mitchell Estrin
|
|
|
23 March 2004
From Neustadt a.d.
Aisch, Germany at the Herbert
Wurlitzer home of the near legendary Klarinetten used by all the major
German, Swiss, and Dutch players and Orchestras, comes to make available the
Bassettklarinette in A, used primarily to perform the Mozart Clarinet Concerto
K622, and the Mozart Clarinet Quintet K581 for the extra lower range believed to
be written by Mozart. The Basset Clarinet in A has become popular for
performance of these works in both Germany and other countries. Several
major German artists, like Sabine Meyer and Ulrich Mehlhart (solo Klarinettist
in the Radio Symphony Orchestre Frankfurt) perform with these great
instruments. These instruments have been available for over a decade but now the
push is on in performing these works with these instruments. Wurlitzer
produces these clarinets in both Oehler (Deutsche) system and in Reform Boehm
system which makes positive access to expand one's interest in performing
these works. What makes interest greater is the fact that one can order
(if he has the upper joint to either a Wurlitzer German or Reform Boehm system A
clarinet) the lower joint with extension only by sending to Wurlitzer the upper
joint of their A Clarinet to interface the instrument. One does not have
to purchase a complete instrument, which can save costs. Also of interest
to players who use French mouthpieces, it is possible to play the Reform Boehm
Clarinet with only a change of Tuning barrel by request. Those interested
should contact Wurlitzer for complete details. It has been known for many
years that these handmade limited production clarinets are the artist state of
the industry.
|
|
Hammerschmidt RS Klarinette Development Team
|
|
|
RS Reform Boehm Prototypes
|
|
|
Roger Salander Klarinette testing
|
|
|
14 March 2004
The Austrian clarinet makers
Otmar Hammerschmidt,
together with the renowned clarinet soloist Roger Salander, have
developed a new Boehm clarinet model for orchestra and solo use, the
"RS". This instrument sets new standards for dynamic range,
intonation, tone quality and key work in the field of clarinet making.
The new "RS" model could only be developed through a combination of
the high skill level of our master craftsmen, decades of practical
experience, constant improvements, and close contact with
Roger Salander, together with the finest and most modern product engineering
and materials.
Hammerschmidt clarinets have been produced by hand since 1873 and are
known for their quality and perfection by musicians throughout the
world who value reliability and an unequaled beauty of tone.
|
|
|
|
Hammerschmidt clarinets combine harmony and progress with a
130-year family tradition and are unique in their intonation and tone
quality.
|
|
Copyright ©
1999 WKA-Clarinet.org. All rights reserved.
Revised: January 10, 2013