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August 2008 Hot News
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| Safed Israel |  | 
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| Safed hills |  | 
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| Cafe along Old Town Safed |  | 
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| Safed City walking Street |  | 
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| Walking Tour thru Safed |  | 
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Philippe Cuper in Master Classes and Performance
                                        
Ilan Schul in Clarinet Ensemble and Performance
18 August 2008 
Clarinet & Klezmer in the Galilee Music 
Festival with Giora Feidman - Israel 
Safed, Israel
Klezmer- a 
universal musical form and way of life, expressing our inborn desire to create 
music and dance
          
One of the most comprehensive Clarinet Festivals  was held in Safed, a Holy City 
in Israel known as an origin of Kabbala (Jewish Mysticism) and connected to 
Klezmer Jewish folk music which originated in Eastern Europe and has its 
connections in Israel.  The seven days (11 - 18 August) was comprehensive in 
substantial training with lessons exceeding 14 hours a day, Master Classes, 
Clarinet Choir rehearsals and ensemble rehearsals with students, five Potpourri 
concerts held at the outdoor courtyard at the Sariah Center lasting 2 ½-3 hours 
each night, for audiences numbering in the thousands, and including performances 
by faculty and students alike in high powered performances.   The most special 
aspect of this festival was the emphasis on the Klezmer approach to playing as 
focused by Giora Feidman, the Director of this event, and by exposure all week 
the hope that the concept takes root in the students. In addition to this 
aspect, the festival included broad coverage of Classical and Jazz as taught and 
performed by such luminaries as Philippe Cuper, Solo Clarinetist in the Paris 
Opera,  Ilan Schul, Head of Clarinet at the Jerusalem Academy of Music, Eva 
Wasserman-Margolis, and several others listed on the Faculty Roster.  This 
Festival was held with collaboration with a major Klezmer Festival also held in 
Safed.  Robert Majeric, a Clarinetist from Germany, has posted a site with 
galleries from this Festival which can show the tradition and value of this 
program. The site is: 
www.clarinus.de/swad/index.html 
          
As the galleries above will indicate, the excitement and enthusiasm is well 
evident, as all the participants were well taught and inspired by the faculty, 
and performed in conjunction with them all week.  Legend Giora Feidman 
performed to incredible levels all week.   This is the 5th year of 
this Festival and it has attracted many of the most important clarinetists 
worldwide, and has become a prime cultural opportunity for players to learn 
their craft and be exposed to the fusion of Classical, Jazz, and Klezmer, making 
for a well rounded approach to musical approaches and styles.  This 
Festival is one of the most important to be involved in given its extensive 
credibility.
                                              
Josef Balogh in rehearsal and Combo Performance
16 August 2008
Windland Music Festival and Master Classes 
with Josef Balogh
    
Budapest, Hungary
           
Josef Balogh, a renowned Solo Clarinetist Internationally and well known for 
Klezmer and Hungarian Ethnic Music, held his annual Music Festival under the 
wings of the Windland Foundation which is active in present restoration of a 
castle for the purpose of holding Music Festivals and Workshops during the year.  
As can be seen in the above galleries, many student levels are seen studying and 
benefitting from the training here.  Performances were given in the 
Hungarian taste with outdoor performances, and also the acclaimed InterClarinet 
ensemble, consisting of artists from Vienna, Augsburg, Germany, Mr Balogh, and 
Berlin.  As the Fall Newsletter points out, festivals like these are 
eye-openers to grow in the International taste of musical performance.

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| Buffet Academy Students |  | 
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| Forteza Lesson |  | 
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| Bloom Bass Clarinet Lesson |  | 
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9 August 2008
    Jacksonville, Florida USA
        
The 2nd Buffet Clarinet Academy, held at the campus of the North Florida 
University, was a major artistic building ground for the 14 pre-auditioned 
students who qualified to attend, and being involved in intensive private study, 
master classes on several subjects relating to high performance, a workshop 
class on vital instrument maintenance given by Artisan Francois Kloc, and 
recital concerts presented by both faculty and students.  This, unlike many 
other Master Class courses, comprises the best of the best in performers as 
faculty and students. 
															This year's Academy 
															Artist Faculty was 
again an unparalleled assembly of some of finest clarinetists in the world! 
Students accepted to the Academy had the opportunity 
															to study with J. 
															Lawrie Bloom 
															(Chicago Symphony 
															Orchestra), 
															Pascual Martinez-Forteza 
															(New York 
															Philharmonic), 
															Eugene Mondie 
															(National Symphony 
															Orchestra) and 
															Ronald Van 
															Spaendonck (Mons 
															and Brussels Royale 
															Conservatoire, 
															Brussels, 
Belgium), and
Victoria Luperi
(Fort Worth Symphony.  
        
      Below is a student summary 
account of this great week from her perspective.  She is Jenny MacClay, a 
gifted grassroots clarinetist to become a Freshman student at the University of 
Florida in Gainesville, where she will be studying with Mitchell Estrin, a 
renowned Professor and longtime touring member of the New York Philharmonic.
http://www.youtube.com/watch?v=Q45MnEi5590     This is my recital on 
Saturday night.  
 
http://www.youtube.com/watch?v=w2JgowSxZyg    This is the "performance" of 
Cage's Story from Living Room Music by Kali, me, Kevin, and Stephen.
 
I just got back from the first 
day of BCA, and it's looking like it might be better than last year! There are 
only fourteen students this year, so that means longer lessons, more individual 
attention, and more free stuff! When I got to the airport on Sunday, Matt Vance 
from Buffet picked me up, and we got a call from Lawrie Bloom saying he flew in 
on the CSO (Chicago Symphony Orchestra) 1 instead of the Air Force 1, so that's 
why we didn't see him at first. He never fails to crack me up! After we dropped 
him off at his fancy hotel, we got to the apartments, and Professor Estrin gave 
me a Buffet swag bag full of CD's, reeds, articles, shirts, hats, and lots more! 
The apartments are very accomodating - I'm staying with Kali and Christina from 
UF, and we each have our own room and shower, and we have a shared living room 
and kitchen! After I unpacked, a few friends and I decided to go to Rita's for a 
dinner consisting of gelato and shaved ice. :-)
 
Today was clarinet-packed and lots of fun! At breakfast, we found a hungry duck 
and named him "Darkwing" after the cartoon. I had the instrument technology 
class next with Francois, and we only had four students total. Even though we 
took all the keys off the clarinet last year and I've been practicing on my 
plastic clarinets, it was still frightening, but Francois can fix anything! 
Unlike last year, we had more time and fewer students, so he taught us his 
secrets of polishing and making the clarinet look brand new again! I've had a 
problem with spit leaking out of a tonehole, and he told me to put almond oil in 
it, because oil and water don't mix, and the problem's gone! He's a genius, and 
the clarinet world would be nowhere without him!
 
After that, I had an hour to practice before lunch, so I befriended some new 
people from UCLA and played duets with them. By far the best part of the day was 
my lesson with Ronald van Spaendonck, my favorite teacher from last year. We 
worked on the Paganini and Weber Polacca, then he put me in his "extended 
techniques" master class on Wednesday. I am excited to have this opportunity, 
but I found out that he wants me to learn how to circular breathe in two days! I 
got it a few times, but it will take many more hours. Thankfully, he scheduled 
another lesson with me tomorrow to help me. Wish me luck!
 
Victoria Luperi gave an exciting masterclass on orchestral excerpts. I heard 
Peter and the Wolf, Capriccio Espagnol, Galanta Dances, and Beethoven 8. She had 
lots of interesting ideas and quotes, and I took tons of notes just today! The 
concert by the Jacksonville Symphony clarinets was after that, and we heard 
everything from classical to Klezmer!
 
Today was long, but definitely rewarding. I met lots of new people and heard 
more interesting viewpoints. This is definitely the opportunity of a lifetime, 
and I am glad for everyone's continued support and encouragement.
 
Hello all!
 
Today was SOOO much fun! I had a lesson with Eugene Mondie this morning, and he 
taught me a lot of interesting practice techniques for the Debussy Premiere 
Rhapsody. He is an amazing Eb player, as we all found out at his masterclass 
this afternoon. I had lots of practice time scheduled, so I caught up with some 
people for more duets and trios. I hung out with Francois and Bruce Marking 
during one break, and they told me about fixing pads and replacing corks. I got 
some more free reeds from Professor Estrin, so that was great! While we were in 
the Buffet room (where the show clarinets and repair classes are), Francois 
showed me a clarinet in the key of D! It was a lot of fun. I also had my first 
run-through with my accompanist, Mr. Watkins, who is amazing! I feel really good 
about my recital on Saturday and am excited for the chance to play in front of 
so many clarinetists. Finally, I had another lesson with Ronald, and I am 
getting better at approaching circular breathing, but I cannot do it 
consistently. We toasted our plastic cups to us. :)
 
Tonight was the best part of the day. The annual pool party was scheduled, but 
since nobody swam last year, I planned on sitting around and talking. Before we 
left, Kali talked me into wearing my swimsuit, which I am very thankful for now. 
Kali, Christina, and I were sitting at the edge of the pool when Francois and 
Ronald snuck up behind me and picked me up and threw me into the pool! It 
surprised me, and when I could breathe again, I couldn't stop laughing! We had a 
lot of fun watching Francois flip Ronald and Pascual off of his back and let 
them "surf" on his back. When I got out, Ronald gave me his towel and Faculty 
BCA polo shirt, so now I'm an official faculty member here! ;-)
 
I'm excited about playing in the "extended technique" masterclass tomorrow and 
hearing the faculty concert. Thanks to all for the continued replies, support, 
and advice. Until tomorrow!
 
Jenny
 
P.S. A student asked what to do if you had to choose between tuning to a section 
that was really flat or a really sharp section, and Lawrie Bloom replied, 
"Whoever plays louder!"
I had a GREAT time 
today!  I had a few hours to practice this morning, so we read a Klezmer 
trio and John Cage voice quartet, which we plan to rehearse with Ronald and 
Pascual sometime on Friday.  I had another rehearsal with my accompanist, 
and I am excited to play at my recital on Saturday.  My accompanist said 
that my piece was the most fun to play!  After lunch, I had a lesson with 
Victoria Luperi, who is a Curtis alumnus.  I played the Prelude to the 
Paganini 24th Caprice, and she helped me a lot with the air, directions, and 
shaping the phrases.  I really enjoyed listen to her talk (she's from 
Argentina), and we worked really well together.
 
Also this afternoon was the highlight of the day - Ronald's master class on 
circular breathing.  He called me up to demonstrate, and I actually managed 
to do it a few times, but it will take a lot more practice.  We also talked 
about other cool techniques: flutter tonguing, "double stack-it-toe" (as he 
pronounces double tonguing), dinosaur sounds, "mad cow" where you take off the 
mouthpiece and buzz into the horn, and glissandos.  He was so hilarious to 
watch, because it all comes so naturally to him.  He had to get Francois to 
translate for him sometimes since his English is not fluent, and it was neat 
hearing them converse in French.
 
Tonight, the faculty had their recital, and I was so impressed!  I heard 
Lawrie Bloom play the Cahuzac Arlequin on his bass clarinet, Pascual play the 
Premiere Rhapsody, and Ronald play the Widor piece.  I loved everyone's 
stage presence, technique, and overall mastery of the instrument, and it was 
very inspiring to see so many professionals play one after another.  They 
also premiered a new clarinet quintet, which was really cool!  After that, 
we had a few group pictures, which I'll send out as soon as I get them. 
 
Tomorrow is our "free" day (Professor Estrin has jokingly hinted that we should 
practice all day).  I'm going on a visit to the Buffet HQ in North America, 
and then everyone's going to the huge shopping center here.  After that, 
we're going to go to the beach.  It will be a well-deserved break from 
clarinet all day, even though I've had a great time being in clarinet mode all 
day every day.
Greetings from Jax!
Today was a much-needed break from clarinet.  Everyone slept in late, but as 
soon as we got up, we all felt obligated to practice for a little while.  
Jason's Deli catered all the meals today, and apparently money isn't a big 
factor at Buffet, because the total tab was over $500!  The Buffet workers are 
great people, and I'm thankful for all the work they've put into this academy.
After lunch, we went on a tour of the Buffet HQ in North America.  We saw 
all the offices of the people who make the company run so smoothly, and it was 
funny hearing all the clarinetists getting excited.  When we walked by the 
bathroom, one guy said, "Oh my gosh, it's the Buffet bathroom!"  The snack 
room was dubbed the "Buffet buffet", and we especially loved Francois' office 
and Bruce's repair room.   I think what everyone 
liked most about the tour was when we were all given a Buffet laptop bag and 
posters of all our clarinet heros to fill the bags up!  
The town center (aka huge outdoor shopping mall) was next on the agenda, so we 
walked around in the heat until dinner.  Having had a break most of the day, we 
got back and decided to practice!  I had a nice practice session, and I tried 
out a lot of the ideas I've heard this week.  I have tons of new notes and 
concepts, and I can't wait to try them all out!  The usual bunch of us got 
together and read through duets, trios, and John Cage voice quartets (which we 
might perform at the recital), and I'm having a great time playing with other 
talented students from around the country.
I have a lesson with Pascual tomorrow, so I need to start using the coffee 
straws and Power Breather now, since he's all about air and how to maximize it!  
I also get to have another class with Francois, and I'll get to clean the lower 
joint of my clarinet.  Another fun, exciting day!
Hello all!
Today was the second to last day at the academy, and I will be so sad to see it 
end so soon.  This morning, I had my lesson with Pascual, and it was one of the 
best lessons of the week.  He said I've improved a lot since last year with my 
air, and he was really impressed with my embouchure and posture.  We worked on 
the Polacca, and he gave me lots of helpful hints and advice.  He let me use his 
Breath Builder for a while, and I forgot how much it helps - I'm definitely 
getting one!  He also showed me a new way to breath.  Take the mouthpiece off 
the horn and breathe through the clarinet with as much air as possible.  Even he 
runs out of air in about four counts!  I forgot how nice it feels to breathe 
correctly!  I guess I've been doing it wrong all this time.  ;-)
This afternoon, we had instrument technology, part two.  Again, this was scarier 
than the top joint because it had more springs, rods, posts, and pivot screws to 
be lost!  Francois waited until we had all the keys off, then he said, "I'm 
sorry, I will leave you now!"  Of course he was just kidding, but I was scared 
for a minute!  Now all of my clarinet looks brand new and plays extremely well, 
so my recital tomorrow will be amazing!  After that, we had Lawrie Bloom's 
master class, which cracked me up.  I could write a book full of his sarcastic 
comments.  When one student came in early, he said, "I guess you think Weber 
just wanted to waste ink when he wrote those squiggly lines.  What are they 
called again?  Oh yeah, rests.  No, I think he was being serious about not 
playing there!"  He never fails to make everyone laugh!
Tonight was round one of the student recitals, and it was great.  I heard pieces 
from Weber Concertino, Rabaud Solo de Concours, and even a piece called Gnarly 
Buttons - Mad Cow movement!  We all had fun watching them, and the performers 
had fun performing.  I can't wait until my concert tomorrow!
Along with all the other free stuff I've received so far, Professor Estrin gave 
me another Buffet banner and a $20 gift certificate to clarinetstop!  I'm 
excited at all the stuff I've got so far.  This morning, I even got my own 
special catered breakfast, since I don't eat eggs.  It's great here.
Sorry for the 
delayed email about Saturday, but I wanted to wait until I had some pictures to 
send and my recital was on youtube!  I had a great time at the Academy this 
year!  My recital was incredible, and I had a blast performing for all the 
students, faculty, and administration from Buffet.  Saturday was bittersweet, 
since we all knew the academy was nearing its end, but we still had lots of 
fun.  I played trios all morning (including Mario themes for my accompanist, who 
stopped by the practice room!), and I had a lesson with Lawrie Bloom that 
afternoon.  I learned a lot overall, and I can't wait to implement them into my 
practice routines!  Pascual had his masterclass on air, and I knew a lot of his 
approaches from last year, but he has a new one this year - the candle 
exercise!  He made students blow out just the orange part of the flame and not 
let the blue center die away, which really enforces focused air for pieces like 
"Pines of Rome".  After the recital, we had a farewell barbeque (completed with 
veggie burgers for me and the other vegetarians), and Professor Estrin's wife, 
who was a finalist in the Pillsbury Bakeoff, made some amazing brownies!  There 
were lots of pictures taken, many autographs received, and lots of hugs and 
promises to keep in touch.  I made some really great friends at the academy, 
learned SOOO much new ideas and techniques, and had a great time with the 
faculty.  It's great that we got to see such renowned clarinetists as normal 
people - Ronald threw me in a pool, Lawrie challenged everyone to tennis 
matches, Pascual talked about baseball, and I found out that they don't practice 
24/7!  It was another amazing year, and I hope to return again next year for 
more fun!
 
            As can be noted by the enthusiasm stated by 
Ms MacClay, this program is too important to ignore for the most serious of 
students and players. Not only is this Academy a benefit, it is a major example 
of commitment by Buffet Crampon, which champions itself as one of the most 
important firms supporting the Clarinetist, both student and professional.
  
2 August 2008
Ticino Music Festival Master 
Classes with Sabine Meyer
TICINO MUSICA is a workshop for 
young musicians from all over the world who, through study and performance 
together with internationally renowned musician- teachers, widen their cultural 
horizons and deepen their artistic experience as a preparation for their 
professional life. 
    
Lugano, Switzerland
            
This annual Festival held in this major Swiss city and all-inclusive covering 
all areas of Chamber Music, Opera, Professional training, had, as its offering 
between 27 July - 2 August, Concerts and Master Classes offered by Sabine Meyer, 
Reiner Wehle, both renowned soloists and Professors at the 
Hochschule of Musik 
in Luebeck, Germany, where their Clarinet Studio is one of the most prestigious 
in Europe.  46 Clarinetists from all over the world came to participate, as 
Master Class active participants, by audition, the remaining viewing as passive 
auditors.  Only 20 could be active in the Classes.  The Meyers 
performed as part of this Festival with standard and especially Mozart with in 
addition Bassett Horns.  Mendellsohn Concertpieces were performed with 
klarinette and Bassett Horn.  As can be noted, performances were high 
level.  The beauty of this relatively unknown Festival is the beautiful 
location in Lugano, Switzerland, with a high powered artist environment with 
many performers on all Orchestral instruments and singers.  For 
Clarinetists wishing to make connection with the Meyers, they are pinnacles of 
the Klarinette in Germany with a developed program.  
 
1 August 2008
Quarteto Vintage (Portugal)  
Workshop with Master Classes and Concerts in Banco, Portugal 30 July - 1 August 
2008
    
Banco, Portugal
          
A 3 day Workshop for young and advanced students in Banco led by this elite 
Clarinet Quartet providing intense attention in lessons, Master Classes, 
Clarinet Exhibits, Clarinet repair checks, and concerts by both students and the 
quartet.  The attendees came from all over Portugal and the prestige of the 
group and program are posted on the quartet website above.  The ensemble 
recently performed in Kansas City and are in August performing at the Japan 
Clarinet Festival in Tama, Tokyo, Japan.
    
 
 
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Revised: September 30, 2008