Hot News April 2004
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Dr Connie Rhoades, Festival Director, Dr David Etheridge, and Andrea Cheeseman
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Eastern Kentucky University Clarinet Choir
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17 April 2004
Eastern
Kentucky University Clarinet Festival
– Richmond, Kentucky USA
The fourth
Eastern Kentucky University Clarinet Festival, hosted by Connie Rhoades,
Associate Professor of Clarinet at Eastern Kentucky University, and the EKU
Clarinet Studio, was held on Saturday, April 17, 2004. Attended by middle school, high school, and college-aged
clarinetists, the EKU Clarinet Festival featured David Etheridge, Professor of
Clarinet at the
University
of Oklahoma, and Andrea Cheeseman, Assistant Professor of Clarinet at Delta
State University.
The Festival
began with a host recital by Connie Rhoades which included
Half Moon at
Checkerboard Mesa
for clarinet and CD by Phillip Bimstein,
Capriccio
for Solo Clarinet in A
by Heinrich Sutermeister,
Lamb of God
by Twila Paris/Culpepper, and
alt.music.ballistix
for clarinet
and CD by Nikola Resanovic.
Following the first clarinet choir rehearsal, the participants attended an
outstanding reed masterclass given by David Etheridge. During the
masterclass, Dr. Etheridge discussed how to listen, diagnose, and adjust reeds
so that they both respond and sound better. The participants received very
useful information from Dr. Etheridge.
After lunch,
the participants attended a wonderful recital given by Andrea Cheeseman.
The recital began with Witold Lutoslawski's
Dance Preludes
in which Dr. Cheeseman demonstrated wonderful contrasts in dynamics and style.
A Set for
Clarinet
by Donald
Martino was followed by Weber's
Concerto No. 2 in E flat Major
which brought the recital to an exciting
conclusion. Following another clarinet choir rehearsal, David Etheridge
performed a recital which included a variety of works. The recital began
with a beautiful rendition of
Sonata in D Major
by Nino
Rota. In the next selection, the
Adagio and
Rondo movements from Mozart's
Concerto for Clarinet,
Dr. Etheridge demonstrated the extremely soft dynamics which are possible on the
clarinet as well as the technical virtuosity required to play the third
movement. The recital concluded with Leonard Bernstein's
Sonata.
The EKU
Clarinet Festival ended late Saturday afternooon with a clarinet choir recital
which included a performance of the participant's clarinet choir and the EKU
Clarinet Choir. The EKU Clarinet Studio is looking forward to hosting the
fifth EKU Clarinet Festival which is scheduled for
April 23, 2005. For more information, please contact
Connie Rhoades at (859)622-1342 or connie.rhoades@eku.edu
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Ohio University School of Music
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Ohio Gala Faculty
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Dr Richen in Recital
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Richard Hawkins in Recital
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Hawkins solo piece
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Hawkins Master Class with student
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Hawkins Student coaching
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Randall Paul Reed-Making seminar
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Rebecca Rischen with Student
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Rischen demonstration
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Ann Marie Bingham solo
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Jane Ellsworth and Willam Conable in Duo
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Clarinet Choir Reading session
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Columbus Camerata Wind Quintet
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Clarinet Choir reading
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17 April 2004
Ohio
University Clarinet Gala
Athens, Ohio USA
The 3rd
Clarinet Gala was held with an intensive day of Master Classes, a Clarinet Choir
Reading session, a Reed – Making seminar class, and two major solo and Potpourri
recitals held that evening. Dr Rebecca Rischen, Associate Professor of Clarinet
and Chair of the Woodwind Division, directed and actively participated as
Soloist, Master Class Teacher, and directed the Clarinet Choir reading. Several
known Clarinet Professors participated including, Ann Marie Bingham from
Marshall University in West Virginia, Dr Randall Paul from Wright University in
Ohio, William Bruce Curlette at Cedarville University in Ohio, Jane Ellsworth,
Professor at Kenyan College, and the Columbus Camerata Wind Quintet.
Special guest Soloist and Master Class Teacher was Richard Hawkins, faculty at
Oberlin College Conservatory of Music, and a well known artist/performer, having
served on faculty at the Interlochen Arts Academy, a chamber music/ contemporary
performer with the Cleveland Orchestra, and a frequent Clarinet soloist.
In addition, he is a master mouthpiece craftsman with his own array of
mouthpieces,
and is a woodwind design technician with
G. Leblanc and Artist Clinician. All performances were artist-class
and some added items of interest made this Gala a standout, including a very
well presented Reed-Making Class with Dr Randall Paul, where thorough
explanation was presented on the from scratch making of a reed and using a DiLutis
Reed Machine to duplicate the ‘model’ reed which can save a fortune in reed
purchases. The model reed used here was a
Legere synthetic #4, which produced a good average reproduction. Of
interest, Mr Hawkins uses the
Legere reed as an all-out replacement for regular reeds, and the tone from
the performance seemed no different, but without the headaches and time
involved to get a good reed and keep them playing. Every clarinetist should have
a Légere reed as a backup and
a model reed to copy. The potpourri recital involving the above guest artists
was diverse and interesting, covering chamber music and solo performance.
This Gala is held every year and includes artists of high stature, and
encourages students and professionals to keep up with the performance/ teaching
field.
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Michigan State University School of Music
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Dr Wes Broadnax, Musique 21 Conductor, Joan Tower, Elsa Verdehr, and Mike Getzin
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Musique 21
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Clarinet Quatredecet Ensemble
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Musique 21 performance of John Adams Gnarly Buttons with Soloist John Bruce Yeh
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Clarinet Duet Tower Fanfare
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Eric Mandat Contemporary Recital of own works
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Caroline Hartig in Recital
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Richard Faria in Recital
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Sonia Sielaff in Tower Clarinet Solo Wings
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Turning Points Clarinet Quintet Master Class with Joan Tower, composer
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Solo coaching
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Joan Tower in music analysis
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Dr Wes Broadnax, conductor and Joan Tower
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Tower Clarinet Trio
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Clarinet Contemporary Student, Alumni participants with Prof Elsa-Ludwig Verdehr and Composer Joan Tower
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Informal gathering with MSU celebrities
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Clarinet Quintet Turning Points
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Musique 21
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John Bruce Yeh discussing Adams work
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3 April 2004
5th
Contemporary Clarinet Festival
Michigan State University East Lansing, Michigan USA
On the campus of this major School of
Music was held an extraordinary festival of Contemporary Music performed by
Alumni and students under the directorship of the School’s Distinguished
Professor of Music Dr Elsa Ludwig-Verdehr. As professor of this school for
the last 42 years, Dr Verdehr has set a major accomplishment in the commitment
to the Clarinet pedagogic profession in producing an incredible number of
successful students who have won major positions in Universities, Symphony
Orchestras, many of whom appeared in concerts and recitals this week. A
major event had Joan Tower, a very prominent American woman composer, come as a
guest in residence covering major works for Clarinet in coaching sessions and
master classes. Works of interest included her Clarinet Concerto, Wings
for Solo Clarinet, a Trio for Clarinet, Violin and Piano, and her Turning Points
for Clarinet & Strings. Those involved in these classes were well
prepared which made the works very approachable to the participants. During this
symposium, several world premieres of solo and chamber works were performed in
recitals and major concerts. Supporting ensembles included the Musique 21,
conducted by Dr Wes Broadnax in two performances, performing works of Joan
Tower and John Adams, the last concert featuring Clarinetist John Bruce
Yeh, Associate Solo Clarinetist in the Chicago Symphony performing Gnarr Buttons
for Soloist and Chamber Ensemble. Michigan faculty member James Niblock
premiered a new work for 14 Clarinets named Clarinet Quatredecater.
Of special interest in Contemporary performance was the work of Eric Mandat in a
recital of his music involving multiphonic techniques with explanations and
methods, There were 2 Alumni Recitals and one Student Recital involving both
undergraduate and graduate students. Remarkable about this Festival is the
high level of performance demonstrated by all the students and graduates,
attesting to the solid training attained under Dr Verdehr’s mentorship.
This festival represents one of the highest standards witnessed at any event of
its kind.
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1999 WKA-Clarinet.org. All rights reserved.
Revised: October 13, 2007